| Binx Street; #2 |
|
|
|
1999 |
| Binx Street; #3 |
|
|
|
1999 |
| Biopsy |
|
|
|
|
| Birdsong; #12 |
|
|
|
2010 |
| Birdsong; #5 |
|
|
|
2009 |
| Bitchfield |
|
|
|
|
| Black Clove Tradesman, The; #5 |
|
|
|
|
| Blueprint, Volume 1 |
Baldwin-Zook, Helen, ed. |
|
|
2009 |
| Body of Loss, The |
|
|
|
|
| Book of Bokonan, #2 |
|
|
|
|
| Book of Letters #10 |
|
|
Corporations, letters, consumer defense |
|
| Book of Letters; #11 |
|
|
Corporations, letters, consumer defense |
|
| Book of Letters; #12 |
|
|
|
|
| Book of Letters; #13 |
|
|
|
|
| Book of Letters; #14 |
|
|
|
|
| Book of Letters; #4 |
|
|
|
|
| Book of Letters; #5 |
|
|
|
|
| Book of Letters; #7 |
|
|
|
|
| Book of Letters; #9 |
|
Allston, MA |
|
|
| Born Again Losers; #1 |
|
|
|
|
| Bovine Liberation; #1 |
|
|
|
2000 |
| Boy Who Cried, The |
|
|
Fable, wolf |
2012 |
| Bullshit!; The Hammer Issue |
|
|
female circumcision |
|
| Bust: A Day in the Life |
|
Debbie Stoller and Laurie Henzel |
Generation X |
|
| Button Masher; #1 |
|
|
|
|
| Capable of Anything |
|
North Star Publishing |
|
2002 |
| caprice |
|
|
Abuse, rape, incest |
|
| Catalonia Calling |
|
|
poetry |
2017 |
| CF-EF (Contemporary Feminisms: Emergent Forms) |
|
|
|
|
| Chapbook Stick, Duo, ENlifing, Poemblem |
|
Marymark Press |
|
2008 |
| Chapbook Think |
|
marymark Press |
|
2007 |
| Chapbook weird |
|
Marymark Press |
written and visual art |
2004 |
| cheap inspiration |
|
migraine |
|
1995 |
| Cheese Log #7 |
|
|
|
|
| Chimps; #1 |
|
|
|
|
| Chimps; #2 |
|
|
|
|
| Chimps; #3 |
|
|
|
|
| Chimps; #6 |
|
|
|
|
| Cicle Hills |
|
|
teleplay, Circle Hills |
2013 |
| Cigarette Butts & Coffee Cups |
|
|
|
1994 |
| city of gods |
|
self published |
|
1998 |
| Coexistence; #2 |
|
|
|
|
| Collapse of Values, The |
|
N/A |
|
|
| Collective Unconscious, The |
|
|
Dreams |
1998 |
| Committed to the Custody of the Attorney General |
|
|
|
2000 |
| Cool |
|
|
|
|
| Crimson Leer; #6 |
|
|
|
1997 |
| Crimson Leer; #7 |
|
|
|
1998 |
| Cut Another Straw, This One's Got Blood On It; Haiku and Reflections Regarding the Atlanta Rock Scene |
|
|
|
|
| Cutlass; #3 |
|
|
|
|
