Clear Winner Number Three |
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1997 |
Clear Winner; #2 |
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The Get Up Kids, Fugazi, Ink and Dagger |
1996 |
Collective Unconscious, The |
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Dreams |
1998 |
crippled by depression Why don't Nobody love me? |
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MISHAP PRODUCTIONS |
internet, humor, Love, Web, companionship |
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Destroy All Monsters |
Jeckil Kegloff, translator |
Love Bunni Press |
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1999 |
Dirty |
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Art, journal entries |
2012 |
Dreams of Donuts; #10 |
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Hellarity House, squat |
2010 |
Infecticitis #5 |
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2006 |
Infecticitis #5 |
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2006 |
Infecticitis #8 |
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hitchhiking, bike touring, backpacking, existentialism |
2009 |
Life After Genetown: The Science, Politics, and Culture of Biotechnology |
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biotechnology, anti-biotechnology, environmental activism, politics, environmental science |
2000 |
Mumia Speaks from Death Row |
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interview, death row, Mumia Abu-Jamal |
1995 |
National Prison Strike: august 21st-september 9th, 2018 |
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IWOC, incarceration, mass incarceration, hunger strike, hunger strikes, protest, strikes, abolition |
2018 |
Rake |
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1990 |
So Maybe Niza Mai #3 |
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meditation, intoxication, college stress |
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Swee(t)art #5 |
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Thirdspace Bodies Volume 29, Issue 1 |
Joanne Tsung, Sylvia Munson |
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2012 |
This Place is Weird |
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Art, abstract art, collage, Collage art, performance art |
1998 |