Listen, Jerky |
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skinheads, Personal writings, collage |
1994 |
Logopolis |
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poetry, Art |
2003 |
Malady #2 |
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work, employment, personal, self-employment |
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Malady #2 |
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comic, personal narrative, self-employment |
2005 |
Multiball #9 |
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High infidelity productions |
pinball, arcade games, punk music, music reviews, music interview |
1994 |
Mute issue 3 |
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1994 |
perfect mix tape segue, the - brutal honest tea |
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pleiades, the |
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2005 |
Project of Liberation, A |
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Venomous Butterfly Publications |
Revolution, politics, Canada, anarchy, Tribes |
2003 |
Rehab #1 |
Too Many Records |
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1996 |
Rien a Foutre #1 |
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2000 |
Second Set-Out |
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Autobiography, salmon fishing, Alaska, portland, Abortion |
2003 |
Senior Art Gallery #2 |
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community, teaching, special education, subbing, substitute |
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Shag Stamp #6 |
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1996 |
Shotgun Seamstress #1 |
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Punk, race and racism, black punks, afropunk, Interviews, History, punk history |
2008 |
Sink Hole Zine #11 |
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punk music, Florida punk music |
2003 |
Space Cadetess |
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Space Cadetess #1 |
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Spokane Zine No.1 |
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community, spokane, show flyers, dying scene, music appreciation, music scene |
1991 |
Stuff #13 |
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comic review, tattoo |
2000 |
Stuff #14 |
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2001 |
Swivel Action |
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n/a- Santa Cruz, CA |
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1994 |
Tangent, The #1 |
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oregon, portland, personal |
1997 |
The Demand for Order And The Birth of Modern Policing |
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History is a Weapon |
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2003 |
the little zine that could #2 |
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trellisaze (issue #2) |
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1996 |