12 DREAMS |
|
|
photographs, 1969, yearbook, 1975, portraits, 1932, 1916, 1928, 1933, 1935, 1938, 1930, 1939, 1951 |
2007 |
A May Zine #2 |
|
|
beltane, pagan |
2001 |
Bits & Pieces; #1 |
|
|
humor |
1994 |
How Fast it All Blows Up: Some Lessons from the 2001 Cincinnati Riots |
|
One Thousand Emotions |
anarchism, autonomy, direct action, anti-authoritarian, Afro-American studies, POC |
2001 |
I Was Raped |
|
|
rape |
|
lilly pilly #2 |
|
|
travel journal, personal narrative, college student |
1996 |
Limp #8 |
|
|
juggling, skateboarding, The Mr. T Experience, Interviews, travel, recipes |
|
limp #9 |
|
|
juggling, skateboarding, comics, humor, travelogue |
1998 |
Miner Conflicts...Major Contradictions |
|
BM Blob- republished in 2006 by One Thousand Emotions |
Labor, historic strikes, british miners' strike 1984-1985, british trade unionism, Britain |
1984 |
Motion Sickness #10 |
|
G. Philips |
|
|
Motion Sickness #11 |
|
G. Phillips |
DIY music, Interviews, newsprint, Rock and Roll, punk rock, glued spine, underground publishing conference, zine reviews |
2000 |
My Roof #1 |
|
|
music reviews, short fiction |
|
Node Pajomo |
|
|
community, communication, mail |
2010 |
Node Pajomo |
|
|
reviews, Mail Art |
|
Node Pajomo 2.5 |
|
|
|
2020 |
Node Pajomo 2.8 |
|
|
zine reviews, metazine |
2022 |
Node Pajomo: MailArt, Zines, Life 2.9 |
|
|
Mail Art, zines, underground culture |
2024 |
Passion Fruit: Anti-Authoritarian (Con)Sensuous Games |
|
|
consent, Bisexual, gay sex, polyamory, polyamoury, ethical nonmonogamy, open relationships, sexuality, sensuality, sexual freedom |
2005 |
Pukka Joint Massif III |
|
|
anarcho-punk |
2010 |
Rice Harvester #8 |
|
|
Punk, perzine, Birmingham |
|
Shoddy Goods #2: Even Punks Gotta Eat! |
|
|
Punk, community, Chinese food, eating, ramen, grocery store reviews, restaurant reviews |
1995 |
Shoddy Goods #3: Class Consciousness |
|
|
Welfare, Punk |
1995 |
Stark Raving #3 |
|
|
|
1998 |
Supermonster Twelve |
|
|
|
|
War on Misery #2 Autumn 2006 |
|
|
|
|
You Can't Say No to Hope, Issue #2 |
|
|
|
|