| and When There's Darkness |
|
|
|
|
| Behind Enemy Lines |
|
|
AIDS, drug war, STDs |
1994 |
| Crimson Leer; #6 |
|
|
|
1997 |
| Crimson Leer; #7 |
|
|
|
1998 |
| Cryptic Slaughter #8 |
|
|
mental health, GMO, food not bombs, derealization/depersonalization disorder |
1998 |
| Cryptic Slaughter; #12 |
|
|
|
|
| Cryptic Slaughter; #13 |
|
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Gainesville |
|
| Cryptic Slaughter; #5 |
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|
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1996 |
| Cryptic Slaughter; #9 |
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|
|
|
| Dissident Scrapbook; #2 |
|
|
social anarchism, veganism |
|
| funky snuts; #1 |
|
|
Punks, spokane, Hoopfest, goths |
1998 |
| Funky snuts; #2 |
|
|
|
1998 |
| funky snuts; #4 |
undefined |
|
spokane, olympia, punk scene, boot taxin', mohawk taxing |
1999 |
| Future Generation, The; Issue #9 |
|
|
Nike, Squatting in the Lower East Side,, Malila, Pigs in Heaven, Stoney Run Road |
|
| Hanging Like a Hex; 18 |
|
|
mental health, Interviews, comics, Records, underground music, Hex Records, Cursed, Paint It Black |
|
| Ideas Is Matches Two: Second in the pretty/ damned/ smart series |
|
|
Feminism, traveling, alternative medicine, Health eating |
1999 |
| Indeed U R #3 |
|
|
Dublin, Abortion, homelessness, Irish politics |
1997 |
| Keepin' It Real #1 |
|
n/a- Spokane, WA |
|
|
| Liberating Youth |
|
|
youth, youth activism, activism |
1997 |
| Listen, Jerky |
|
|
skinheads, Personal writings, collage |
1994 |
| loserdom no ten |
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|
|
| pleiades, the |
|
|
|
2005 |
| Rehab #1 |
Too Many Records |
|
|
1996 |
| Rien a Foutre #1 |
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|
|
2000 |
| Saw Year Prophecies, The |
|
Slash Pines Press |
poetry, rural, rural art, southern poetry, southern art, American South |
2010 |
| Spokane Zine No.1 |
|
|
community, spokane, show flyers, dying scene, music appreciation, music scene |
1991 |
| That Next Morning Feeling |
|
|
short story, personal, Dublin |
1999 |
| Thirteen Zine #2 |
|
|
food not bombs, Microradio, MTV, mango |
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