Design no. 816; #8 |
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devil doll |
Richard Glyn Jones, Ashleigh Brilliant, Ann Jones, Anita Liberty |
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Dumpsterland; #11 |
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dumpster diving, trash compactors, pressure cooker, composting toilet |
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I am a Cassette 'Sound' Collagist |
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Marymark Press |
poetry, cassette sounds |
2007 |
i cried the day joe strummer died 3 |
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perzine |
2002 |
Infecticitis #5 |
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2006 |
Infecticitis #5 |
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2006 |
Infecticitis #8 |
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hitchhiking, bike touring, backpacking, existentialism |
2009 |
Life After Genetown: The Science, Politics, and Culture of Biotechnology |
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biotechnology, anti-biotechnology, environmental activism, politics, environmental science |
2000 |
Like a bowling ball through the door: a personal anthology part two |
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Music, personal narrative, fest, humor, cross country travel |
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Lose #2 |
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band interview, short fiction, music reviews |
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Love Fades |
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personal narratives, poetry, stories, fiction, concern reviews |
2001 |
Lysistrata #1: Reclaim Yourself |
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Reproductive Rights, Feminism, birth control, gender |
1992 |
Marcia #2 |
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band reviews, the missing children, band interview, punk scene |
1995 |
Marcia #3 |
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punk scene, record reviews, zine reviews |
1995 |
Marcia #4 |
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music reviews, the warp tour |
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Massive 20 |
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Mumia Speaks from Death Row |
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interview, death row, Mumia Abu-Jamal |
1995 |
Rad Party |
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foreign language |
1996 |
Rad Party #6 |
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French, foreign language |
1994 |
This Place is Weird |
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Art, abstract art, collage, Collage art, performance art |
1998 |
Towards the Queerest Insurrection |
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Mary Nardini gang |
Jean Genet, somatics, michel foucault, anti-capitalism, Susan Stryker, Marsha P. Johnson, Stonewall, Cooper's Donuts, Compton's, queer history |
2017 |