| "it really happened" |
|
|
comics, Art, oversize |
2002 |
| Assassin and the Whiner, The #11 |
|
|
|
1999 |
| Driver's Side Airbag |
|
|
|
|
| Dumpsterland; #11 |
|
|
dumpster diving, trash compactors, pressure cooker, composting toilet |
|
| Encuentro; Journal of Political Hardcore; #3 |
|
|
|
2005 |
| flipside |
|
|
Los Angeles punk |
|
| Flour Power #3 |
|
|
activism, Punk, anarchism |
1993 |
| Flour Power #8 |
|
|
anarchism, rape, Records, cultural appropriation |
1997 |
| food geek #1 |
|
|
|
1999 |
| Food Geek #2 |
|
|
|
2000 |
| Food Geek #3 |
|
|
|
|
| Greasy Spoon; No. 18, Summer 2004 |
|
|
Florida, food, cheap food |
|
| I Was a Teenaged Scumfuck #1 |
|
|
squatting, train hopping, cross country travel, punk lifestyle |
2006 |
| I'm Johnny and i don't give a fuck episode five #5 |
|
|
|
|
| I'm Johnny and I don't give a fuck |
|
|
|
1998 |
| Interiority #ten |
|
Vixen Press |
Personal Stories |
1997 |
| Karl Marx, The Pope, And Prodigy of Mobb Deep Walk Into A Bar |
|
|
|
|
| Ladyfriend issue 3 |
|
|
automobiles, travel, Feminism, auto repair, Women |
|
| Learning Good Consent |
|
Riot Grrr Press |
rape, sex, consent, survivors |
|
| Logopolis |
|
|
poetry, Art |
2003 |
| LOS |
Geoffrey, Virginia M., Scrood, I.B., Bouts, P.N., Peel, M. |
|
poetry and stories, anthology |
2000 |
| Marriage and Love |
|
|
|
|
| Modern Industry |
|
|
|
2000 |
| monsters for real |
|
|
short story, religion, collage, Diary |
1993 |
| Mr Peebody's Soiled Trousers & Others Delight #19 |
|
|
games, movie reviews, zine reviews, Interviews |
2004 |
| Mr Peebodys Soiled Trousers and Other Delights # 16 |
|
|
Relationship, football |
|
| Mr. Peebody's Soiled Trousers and Other Delights |
|
|
|
2003 |
| Mute issue 3 |
|
|
|
1994 |
| Question of Organization: A Recent Analysis, The |
|
Venomous Butterfly Publications |
anarchist, Anti-Copyright, Affinity Groups |
|
| R@slin Authority #1 |
|
|
solidarity, anarchy |
|
| Ralph: Coffee, Jazz, & Poetry |
|
|
|
1999 |
| Slow Jams |
|
|
|
1998 |
| superfly #11 |
|
|
|
|
| the little zine that could #2 |
|
|
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|
