| Nervous Condition: Haili Number Two / Scenery Number Eight |
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|
Art, community, mental health, depression, claustrophobia, social anxiety, nervous conditions, drawing |
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| perfect mix tape segue, the - brutal honest tea |
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|
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| Project of Liberation, A |
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Venomous Butterfly Publications |
Revolution, politics, Canada, anarchy, Tribes |
2003 |
| Radical Migrant Solidarity: initiatives, observations and ideas from the struggle against the border regie |
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radical activism, solidarity, grassroots resistance, no borders, immigrant support |
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| Reach #4 |
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Cherrybite Publications |
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1997 |
| Rosary #2 |
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| Scrag #26 |
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|
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| Second Set-Out |
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|
Autobiography, salmon fishing, Alaska, portland, Abortion |
2003 |
| Security Culture: an interactive sock puppet farce |
Insurgent Theatre, Columbus Anarchist Black Cross |
Columbus Anarchist Black Cross (CABC) |
workshops, Columbus, Ohio, Anarchist Black Cross, Skit, Sock Puppet Theatre |
2010 |
| Seedhead N+2: Ask Yourself, Can It Be Done With Scraps? |
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| Senior Art Gallery #2 |
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community, teaching, special education, subbing, substitute |
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| Shotgun Seamstress #1 |
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Punk, race and racism, black punks, afropunk, Interviews, History, punk history |
2008 |
| Space Cadetess |
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| Space Cadetess #1 |
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| star Z #1 |
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| Star Z #2 |
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gender, personal |
1997 |
| Stuff #13 |
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comic review, tattoo |
2000 |
| Stuff #14 |
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|
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2001 |
| Swivel Action |
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n/a- Santa Cruz, CA |
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1994 |
| Tangent, The #1 |
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oregon, portland, personal |
1997 |
| Ten Page News, The #29 |
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Owen Thomas/ Colombus, OH |
technology, conference, zine review |
2001 |
| The Demand for Order And The Birth of Modern Policing |
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History is a Weapon |
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2003 |
| trellisaze (issue #2) |
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1996 |
