| trellisaze (issue #2) |
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1996 |
| The Demand for Order And The Birth of Modern Policing |
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History is a Weapon |
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2003 |
| Tangent, The #1 |
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|
oregon, portland, personal |
1997 |
| Swivel Action |
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n/a- Santa Cruz, CA |
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1994 |
| Stuff #14 |
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|
|
2001 |
| Stuff #13 |
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|
comic review, tattoo |
2000 |
| Spokane Zine No.1 |
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|
community, spokane, show flyers, dying scene, music appreciation, music scene |
1991 |
| Space Cadetess #1 |
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|
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| Space Cadetess |
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|
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| Shotgun Seamstress #1 |
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Punk, race and racism, black punks, afropunk, Interviews, History, punk history |
2008 |
| Senior Art Gallery #2 |
|
|
community, teaching, special education, subbing, substitute |
|
| Second Set-Out |
|
|
Autobiography, salmon fishing, Alaska, portland, Abortion |
2003 |
| Scene not Seen #2 "Prisons" |
|
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herbal remedies, prison systems |
1994 |
| Rien a Foutre #1 |
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|
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2000 |
| Rehab #1 |
Too Many Records |
|
|
1996 |
| Project of Liberation, A |
|
Venomous Butterfly Publications |
Revolution, politics, Canada, anarchy, Tribes |
2003 |
| pleiades, the |
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|
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2005 |
| perfect mix tape segue, the - brutal honest tea |
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|
|
|
| Multiball #9 |
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High infidelity productions |
pinball, arcade games, punk music, music reviews, music interview |
1994 |
| Malady #2 |
|
|
work, employment, personal, self-employment |
|
| Malady #2 |
|
|
comic, personal narrative, self-employment |
2005 |
| Listen, Jerky |
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|
skinheads, Personal writings, collage |
1994 |
| link: ten perspectives on addiction |
|
N/A |
|
|
| life savings part one: a couple of days |
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|
1997 |
| Keepin' It Real #1 |
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n/a- Spokane, WA |
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| Invincible Summer (not numbered) |
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|
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| Here Be Dragons #3 |
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|
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| Grundig.; #2 |
|
|
travel, portland |
|
| Girding For War #1 |
|
|
Christian; Anarchy |
|
| funky snuts; #4 |
undefined |
|
spokane, olympia, punk scene, boot taxin', mohawk taxing |
1999 |
| Funky snuts; #2 |
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|
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1998 |
| funky snuts; #1 |
|
|
Punks, spokane, Hoopfest, goths |
1998 |
| Flowers For Algebra |
|
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Feminism, veganism, vampires |
2010 |
| Fiat Lux; #2 |
|
|
traveling, Disease, Marian syndrome, squats |
1994 |
| Epilogue |
|
|
emotional manipulation, boundaries |
|
| End of A Perfect Day, The; #7 |
|
|
traveling, dumpster diving, scams |
|
| Dirt Lover, The |
|
|
|
|
| Death of Culture; a Book of Poetry by Shannon Colebank |
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2001 |
| Cryptic Slaughter; #9 |
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| Cryptic Slaughter; #5 |
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1996 |
| Cryptic Slaughter; #13 |
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|
Gainesville |
|
| Cryptic Slaughter; #12 |
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|
|
| Cryptic Slaughter #8 |
|
|
mental health, GMO, food not bombs, derealization/depersonalization disorder |
1998 |
| Consumer, The: Issue Number Twenty Eight |
|
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1999 |
| Constant Rider Omnibus; Stories From the Public Transportation Front, The |
|
Tugboat Press |
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2000 |
| Comixville #6 |
|
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| Clutch |
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|
2001 |
| civiliation will eat itself |
|
microcosm publishing |
|
2000 |
| Caught in the Web of Deception: And Other Writings on Anarchists and the Media |
|
Venomous Butterfly Publications |
media, anarchism, autonomy, Consensus, anti-authority, Anti-Copyright |
|
| Brainscan; #25.5 |
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