3 a.m. Haircuts and Dancing Cause We Mean It |
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comics, roadtrips, personal stores |
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Abstinate Idea |
|
|
hardcore |
1989 |
At the Crossroads...; #3 |
Murphy, Travis |
|
Anti-Militarism, food not bombs, vegetable gun |
1995 |
Consent or Coercion |
|
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anarchist, police consent, Anti-Authorian, Community Justice, Panarchy |
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Cracks in the Concrete; issue #11 |
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2009 |
Don't Touch Me |
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gameboy camera, Art, self portraiture, trans, Autobiography, poetry |
2018 |
FOE #36 |
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Freedom of Expression Dist. |
hardcore, Pennsylvania punk |
1996 |
Fuck! |
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poetry |
2002 |
I Still Want to Kill That Boy |
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|
gameboy, Art, Autobiography, trans, self portraiture |
2018 |
Infinite Onion |
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1997 |
Larceny #12 |
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Michigan, perzine |
2002 |
Larceny #8 |
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Michigan |
2002 |
Love + Liberation #3 |
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Prison System, Animal liberation, anarchism, political prisoner support, Myanmar |
1997 |
Love + Liberation #5 |
|
|
anarchism, activism how-to, anti-capitalism, political prisoner support |
1997 |
Lynch By Inch |
|
|
prison and prisoners, political prisoners, Racism, politics and political theory |
2003 |
Only the Strong Resist |
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Cracks in the Concrete Publishing |
Florida, Women, anarchist, activisim |
2009 |
Pretty Girl |
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|
gameboy camera, self portraiture, trans art, trans, Autobiography |
2019 |
Rendezvous with Violence #6.5 |
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|
|
1995 |
rock candy / spirals upward |
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split zine |
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Roessiger #5: The Zine of the Gods |
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Punk, puzzle |
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Simba #10 |
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Women I Could Have Been, The |
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drawings, Women, poetry |
1980 |