Affinity Rhythm |
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Bayou La Rose; #65 |
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Leonard Peltier, Wounded Knee, Charleston 5 |
2001 |
Behind Enemy Lines |
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AIDS, drug war, STDs |
1994 |
Chechel Angel |
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2003 |
Crimson Leer; #6 |
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1997 |
Crimson Leer; #7 |
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1998 |
Dissident Scrapbook; #2 |
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social anarchism, veganism |
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Doll |
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guerilla girls, Jean Smith, Mecca Normal |
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Domestic Violence (Mostly My Story) |
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domestic abuse, domestic violence, family abuse |
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Don't Touch Me |
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gameboy camera, Art, self portraiture, trans, Autobiography, poetry |
2018 |
Hanging Like a Hex; 18 |
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mental health, Interviews, comics, Records, underground music, Hex Records, Cursed, Paint It Black |
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I Still Want to Kill That Boy |
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gameboy, Art, Autobiography, trans, self portraiture |
2018 |
Larceny #12 |
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Michigan, perzine |
2002 |
Larceny #8 |
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Michigan |
2002 |
Liberating Youth |
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youth, youth activism, activism |
1997 |
Lynch By Inch |
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prison and prisoners, political prisoners, Racism, politics and political theory |
2003 |
Pretty Girl |
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gameboy camera, self portraiture, trans art, trans, Autobiography |
2019 |
rock candy / spirals upward |
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split zine |
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Sink Hole Zine #11 |
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punk music, Florida punk music |
2003 |
Thirteen Zine #2 |
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food not bombs, Microradio, MTV, mango |
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Women I Could Have Been, The |
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drawings, Women, poetry |
1980 |