| Death Ship; Issue 2 |
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2002 |
| Design no. 816; #8 |
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| devil doll |
Richard Glyn Jones, Ashleigh Brilliant, Ann Jones, Anita Liberty |
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| Don't Touch Me |
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gameboy camera, Art, self portraiture, trans, Autobiography, poetry |
2018 |
| I Still Want to Kill That Boy |
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gameboy, Art, Autobiography, trans, self portraiture |
2018 |
| Larceny #12 |
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Michigan, perzine |
2002 |
| Larceny #8 |
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Michigan |
2002 |
| Lynch By Inch |
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prison and prisoners, political prisoners, Racism, politics and political theory |
2003 |
| Massive 20 |
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| No Way Out #2 |
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Florida, community, George W. Bush, punk rock, coming-of-age |
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| Pretty Girl |
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gameboy camera, self portraiture, trans art, trans, Autobiography |
2019 |
| rock candy / spirals upward |
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split zine |
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| Spunk |
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zine theory, time capsule |
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| Towards the Queerest Insurrection |
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Mary Nardini gang |
Jean Genet, somatics, michel foucault, anti-capitalism, Susan Stryker, Marsha P. Johnson, Stonewall, Cooper's Donuts, Compton's, queer history |
2017 |
| Women I Could Have Been, The |
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drawings, Women, poetry |
1980 |
