| "it really happened" |
|
|
comics, Art, oversize |
2002 |
| A Window Propped Open Issue 1: Timelines |
|
|
hurricane harvey, mutual aid disaster relief, Mutual Aid, disasters, ecology, prefigurative politics |
2017 |
| Alarm, The |
|
|
|
2005 |
| Consent or Coercion |
|
|
anarchist, police consent, Anti-Authorian, Community Justice, Panarchy |
|
| Cracks in the Concrete; issue #11 |
|
|
|
2009 |
| Don't Touch Me |
|
|
gameboy camera, Art, self portraiture, trans, Autobiography, poetry |
2018 |
| Fall Into Place |
|
|
men, male feelings, masculinity, Christianity, punk rock |
|
| Fuck! |
|
|
poetry |
2002 |
| Giant Steps #1 |
|
|
Iraq War, Punk, leftism, graffiti, interview |
2006 |
| Greasy Spoon; No. 18, Summer 2004 |
|
|
Florida, food, cheap food |
|
| I Still Want to Kill That Boy |
|
|
gameboy, Art, Autobiography, trans, self portraiture |
2018 |
| Larceny #12 |
|
|
Michigan, perzine |
2002 |
| Larceny #8 |
|
|
Michigan |
2002 |
| Let Them Be Free: An Unschooling Handbook |
Habbibi's Hutch Preschool , All-Austin Cooperative Nursery |
|
children, parenting, unschooling, teaching, Education, anarchy, anarchism |
|
| Lynch By Inch |
|
|
prison and prisoners, political prisoners, Racism, politics and political theory |
2003 |
| Only the Strong Resist |
|
Cracks in the Concrete Publishing |
Florida, Women, anarchist, activisim |
2009 |
| Pretty Girl |
|
|
gameboy camera, self portraiture, trans art, trans, Autobiography |
2019 |
| Resonance: Newsletter of the Bioelectromagnetics Sig |
|
|
bioelectromagnetism, biology, magnetic fields, mensa |
1997 |
| rock candy / spirals upward |
|
|
split zine |
|
| Roessiger #5: The Zine of the Gods |
|
|
Punk, puzzle |
|
| Self Centered |
|
|
community |
1998 |
| Sneer #10 |
|
|
|
2000 |
| Sneer #11 |
|
|
|
|
| Sneer #9 |
|
|
college living |
1999 |
| Women I Could Have Been, The |
|
|
drawings, Women, poetry |
1980 |
