| (dis)connection #4 |
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(Dis)co People |
anarchy anarchism collective |
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| Don't Blame Me: I Worked for Dean |
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Howard Dean, campaigning |
2004 |
| Don't Touch Me |
|
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gameboy camera, Art, self portraiture, trans, Autobiography, poetry |
2018 |
| Dream Whip #15: The Pedal-Powered Movie Tour |
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documentary, travel, bikes, bike touring, cross-country |
2006 |
| Einstein Zine, The |
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| How I Spent My Winter Vacation |
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2010 |
| I Still Want to Kill That Boy |
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gameboy, Art, Autobiography, trans, self portraiture |
2018 |
| Larceny #12 |
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Michigan, perzine |
2002 |
| Larceny #8 |
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Michigan |
2002 |
| Let's Hang Out And Put Our Hands On Pretty Much Everything |
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collaborative, explorative |
2008 |
| Lisa #4 |
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1996 |
| Lynch By Inch |
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prison and prisoners, political prisoners, Racism, politics and political theory |
2003 |
| Nadine Death #8 |
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coloring book, comics, photographs, letters to the editor, Antonin Artaud, illustrated, trees, jello, baffler |
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| Pretty Girl |
|
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gameboy camera, self portraiture, trans art, trans, Autobiography |
2019 |
| rock candy / spirals upward |
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split zine |
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| Silent Choking Cornfield Death 10 |
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high school, going back, imaginary friends |
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| Smash Action #3 |
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radical art history, anarchist lifestyle |
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| Space for Machines #1 |
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| Space for Machines #3 |
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Science, architecture, Illinois, communication, universe, 1960s, Frank Drake, aliens, ballet, dance, binary code, human species, Margaret Erlanger, Jack Sherman Baker, University of Illinois, building a house, contact, intersecting lives, Ozma project |
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| Women I Could Have Been, The |
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drawings, Women, poetry |
1980 |
