| and When There's Darkness |
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| Bad Pictures for Bad People |
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2018 |
| Bowling Ball Trimnastics |
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|
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| Brisk Walk; #1 |
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2004 |
| Cryptic Slaughter #8 |
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mental health, GMO, food not bombs, derealization/depersonalization disorder |
1998 |
| Cryptic Slaughter; #12 |
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| Cryptic Slaughter; #13 |
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Gainesville |
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| Cryptic Slaughter; #5 |
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1996 |
| Cryptic Slaughter; #9 |
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| Ex Post Facto; #1 |
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| Ex Post Facto; #1 |
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| Ex Post Facto; #2 |
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| Ex Post Facto; #3 |
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| Ex Post Facto; #4 |
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| Ex Post Facto; #5 |
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| Fiddler Jones; #6 |
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interview, Earth Crisis, anti-fuzz |
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| funky snuts; #1 |
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Punks, spokane, Hoopfest, goths |
1998 |
| Funky snuts; #2 |
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1998 |
| funky snuts; #4 |
undefined |
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spokane, olympia, punk scene, boot taxin', mohawk taxing |
1999 |
| Ideas Is Matches Two: Second in the pretty/ damned/ smart series |
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Feminism, traveling, alternative medicine, Health eating |
1999 |
| Indeed U R #3 |
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Dublin, Abortion, homelessness, Irish politics |
1997 |
| iska #3: State & Revolution |
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ska, ska punk pensacola fedora |
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| Keepin' It Real #1 |
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n/a- Spokane, WA |
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| Let Us Be Your Gardener |
|
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Anthropocene, fish, Environment, Environmentalism, ecological consciousness, GNV Zine Fair 2018 |
2018 |
| Liability Zine #2 |
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Liability |
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2002 |
| Listen, Jerky |
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skinheads, Personal writings, collage |
1994 |
| Lizard's Eyelid |
|
Lizard's Eyelid |
band interview, local, music reviews |
1994 |
| loserdom no ten |
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| pleiades, the |
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2005 |
| Rehab #1 |
Too Many Records |
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1996 |
| Rien a Foutre #1 |
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2000 |
| Ruby Slippers, The |
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1996 |
| Scam #2 |
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Punk, squatting, hitchhiking, moving, lifestyle, punk house, Miami, roadkill |
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| Scrape #11 |
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punk music, hardcore music |
1994 |
| Scum-Dip No. 2: A Voice Without a Face |
[N/A] Not Applicable |
|
Feminism, riot grrrl, straight edge, zine reviews, punkvenderfest, scary places, record reviews, show reviews |
|
| Spokane Zine No.1 |
|
|
community, spokane, show flyers, dying scene, music appreciation, music scene |
1991 |
| Suburban Relapse #13 |
Soltz, Barry |
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1985 |
| That Next Morning Feeling |
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short story, personal, Dublin |
1999 |
