| Bits & Pieces; #1 |
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humor |
1994 |
| Chechel Angel |
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2003 |
| Don't Touch Me |
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gameboy camera, Art, self portraiture, trans, Autobiography, poetry |
2018 |
| How Fast it All Blows Up: Some Lessons from the 2001 Cincinnati Riots |
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One Thousand Emotions |
anarchism, autonomy, direct action, anti-authoritarian, Afro-American studies, POC |
2001 |
| I Still Want to Kill That Boy |
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gameboy, Art, Autobiography, trans, self portraiture |
2018 |
| Larceny #12 |
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Michigan, perzine |
2002 |
| Larceny #8 |
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Michigan |
2002 |
| Lynch By Inch |
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prison and prisoners, political prisoners, Racism, politics and political theory |
2003 |
| Motion Sickness #10 |
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G. Philips |
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| Passion Fruit: Anti-Authoritarian (Con)Sensuous Games |
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consent, Bisexual, gay sex, polyamory, polyamoury, ethical nonmonogamy, open relationships, sexuality, sensuality, sexual freedom |
2005 |
| Pretty Girl |
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gameboy camera, self portraiture, trans art, trans, Autobiography |
2019 |
| rock candy / spirals upward |
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split zine |
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| Shoddy Goods #2: Even Punks Gotta Eat! |
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Punk, community, Chinese food, eating, ramen, grocery store reviews, restaurant reviews |
1995 |
| Shoddy Goods #3: Class Consciousness |
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Welfare, Punk |
1995 |
| Soperide #2; and, but, or, for, nor dickhead |
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| Space for Machines #1 |
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| Space for Machines #3 |
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Science, architecture, Illinois, communication, universe, 1960s, Frank Drake, aliens, ballet, dance, binary code, human species, Margaret Erlanger, Jack Sherman Baker, University of Illinois, building a house, contact, intersecting lives, Ozma project |
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| Stark Raving #3 |
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1998 |
| Supermonster Twelve |
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| War on Misery #2 Autumn 2006 |
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| Women I Could Have Been, The |
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drawings, Women, poetry |
1980 |
