Bread and Paper; #1 |
|
|
Coalition of Immokalee Workers, the fest |
2004 |
Destroy All Monsters |
Jeckil Kegloff, translator |
Love Bunni Press |
|
1999 |
Don't Touch Me |
|
|
gameboy camera, Art, self portraiture, trans, Autobiography, poetry |
2018 |
Family Geek, The #1 |
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The Family Geek Press |
|
2004 |
From The Diane Files; Volume One: The Dog Haired Infants |
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scams, personal ads |
|
Fucktooth #23 |
|
|
Punk, San Francisco, bay area, maximum rock n roll |
1998 |
Fucktooth #24/Spectacle #5 |
|
Small Publishers Co-op |
technology, Animal Rights, biotechnology, luddites |
1999 |
I Still Want to Kill That Boy |
|
|
gameboy, Art, Autobiography, trans, self portraiture |
2018 |
Larceny #12 |
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|
Michigan, perzine |
2002 |
Larceny #8 |
|
|
Michigan |
2002 |
Lunch Hour Jam Sessions #1 |
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Punk, band interview, reviews, short story |
1997 |
Lynch By Inch |
|
|
prison and prisoners, political prisoners, Racism, politics and political theory |
2003 |
Pretty Girl |
|
|
gameboy camera, self portraiture, trans art, trans, Autobiography |
2019 |
R.I.O. |
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|
prose, stream of consciousness |
|
rock candy / spirals upward |
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split zine |
|
Section Eight Magazine #12: The Eye Candy Issue |
[N/A] Not Applicable |
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Spinning Jenny |
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Stop, Look, and Listen #3 |
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Paris, London, choob (tube) |
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Women I Could Have Been, The |
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drawings, Women, poetry |
1980 |